Superstudio, Frames 15–22 from Un Viaggio nelle Regioni della Ragione, 1966–68. Ink and adhesive on trace.
It is distinctive that in Superstudio’s practice, the search for the means of manifestation was as rigorous as the research itself. The first major work where Superstudio seems to have found the pace it was to follow was Un Viaggio nelle Regioni della Ragione. This project, first appearing in 1966 and translated by the group itself as Voyages in the Realms of Reason, is an exploration of architecture’s inner logic and its relation to other objects and their potential environments. The ideas are presented through a distinctly narrative pictorial device, a storyboard, where fundamental forms and their transformations lead to the creation of both single objects and complex volumetric composition. These objects are then placed in landscapes in views using a central perspective which, together with the strip of images, creates a feeling of a cinematic movement. The simple compositions, in which a road heads onward towards infinity, act as the backdrops for this conceptual journey where perspective functions as the means making the newly conceived objects part of our world of order and reason.
– Markus Lähteenmäki
For a dérive on the early works of Superstudio, as they developed between 1968–69, Discorsi per Immagini; for the full storyboard of Superstudio's Un Viaggio nelle Regioni della Ragione, created in 1969 and the last remaining original; on the use of perspective, to create an emotional space, rather than that of reason, William Mann; and for more ruminations on perspective and other kinds of space, Disappear Here.