John Meunier on plans

Plans, unlike many other architectural drawings, bear little or no relationship to what the building looks like, but they are crucial.

John_Meunier_Meunier House_presentation plan.jpg – Drawing Matter

John Meunier (*), Meunier House, presentation plan, 1964. Rapidograph on tracing paper.

John Meunier_Meunier House_roof plan.jpeg – Drawing Matter

John Meunier (*), Meunier House, roof plan, 1964. Rapidograph on tracing paper.

First, they are essential as instructions for those involved with the construction of a building. Without a plan, the bits and pieces of a building could not be properly situated in relationships to each other. And, in order to do this most such plans are also augmented by measurements.

But when buildings are published in books and magazines aimed at a general audience, plans are rarely included, because the ability to ‘read plans’ is almost as rare among non-practitioners as is the ability to ‘read music’. For the architect, however, and those wishing to understand the key ideas behind a building, the plans are as essential as the score is for the musician and the connoisseur of music.

Drawings can be used both to explore ideas and to explain them, as with the Wendon House.

John Meunier_Wendon House_second design site plan.jpg

Wendon_Plan_perspective.jpg – Drawing Matter

John Meunier (*), plan perspective, Wendon House, c. 1965..

John Meunier_Wendon House_Section.jpg – Drawing Matter

Barry Gasson (*), Wendon House, section, 1966. Rapidograph on tracing paper.

Discussion boards were used at meetings to consider the programme and the site.

Viollet le Duc_Wendon House.jpg – Drawing Matter

Barry Gasson (*), Wendon House, emergence of chief ruling idea, c. 1966. Pencil on paper.

On the first board we made two annotations during a client meeting, at the top the word RAMP was added, and lower down the board a curving arrow links the kitchen and the dining area with the words ‘AS LIVING’. There is also a tick beside the idea of the children’s rooms relating to the family room both in plan and in section.

John Meunier_Wendon House_program studies board.jpg

These annotations were the springboard from which the ultimate generating idea for the Wendon house was launched.

Wendon House Word Diagram.jpg – Drawing Matter

John Meunier (*), word diagram, Wendon House, c. 1965..

One of the ways to close the gap between the mystery of plans and the comprehension of a three-dimensional work of architecture is the use of isometrics or axonometrics, as in this drawing of a house for Lynne Gordon on Mount Adams overlooking downtown Cincinnati and the Ohio River.

John Meunier_Gordon House_Isometric.jpg – Drawing Matter

John Meunier (*), Gordon House, Cincinnati, axonometric, c. 1975. Pencil drawing on tracing paper.

– John Meunier

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